The Character Elbow in Shakespeares Play, Measure for Measure Essay

The Character cubitus in Shakespeares Play, Measure for Measure In Act 2, scene 1 of the play Measure for Measure the character Elbow, a representation of the Comedic police constable often depicted in William Shakespeares comedies and traji-comedies, gives the director an unusual creative certify in portraying this figure to give the audience a abounding theatrical experience. (Evans 427) These characters are nearly commonly depicted as artless, inadequate, nave, and prosaic men who bumble through their official duties, sublimely unconscious(predicate) of their blunders, intent upon fulfilling their offices even when they are not really sure erect what those offices are. (Evans 427) They are honest men as well, duteous, as none of Shakespeares cockeyed policemen reveals any conscious neglect of duty. (Evans 430)In one high nurture production of the play Measure for Measure which I saw a while ago, the character Elbow was played as sort of a village idiot, using a slack-jawe d southern accent. The actor almost appeared to be attempting to portray Elbow as a drunkard as well, which I later found through research was not the stereotype that Shakespeare was stressful to mock at the time. I enjoyed the comedic representation of the character, but I promptly think that he could have been more effectively portrayed the likes of the character Dogberry was in Shakespeares Much Ado About zero(prenominal)hing, especially the most recent perfor patchce at Loyolas McManus Theater by Uzay Tumer. This performance corporation rather illustrate the character more as a man self-confident in his actions and duties who is plagued with an inability to communicate to the other characters. Elbows speech and system of logic just becomes riddled with self-contradictory malapropisms which confuse those wish... ... probably the main antecedent I have drawn out this scene into a enormous collaboration of expressions. Confusion, exasperation, confidence, perplexity, hap piness, frustration, and sheer amazement are all of which I wanted to capture in this brief interaction. Works CitedBennett, Josephine Waters. Measure for Measure as Royal Entertainment. late YorkColumbia University Press, 1966 31.Dawson, Anthony B. Measure for Measure, New Historicism, and Theatrical Power.Shakespeare Quarterly, Vol. 39, No. 3., 1988 337Evans, Hugh C. Comic Constables--Fictional and Historical. Shakespeare Quarterly, Vol. 20, No. 4., 1969 427, 430Ross, Lawrence J. On Measure for Measure. Newark University of Delaware Press, 1997 52.Shakespeare, William. Measure for Measure. Ed. Barbara A. Mowat. Paul Werstine. New York Washington Square Press, 1997 43.